Now here’s a thing – every writer has authors who have inspired them, whose work they admire and whom they would like to be compared to.
For me, one of those authors is Winston Graham, and in particular, the Poldark novels, especially the earlier ones. (Another is Daphne du Maurier, but that’s another story, for another day.)
In fact, before I began to write my first Scottish novel, I dissected Graham’s first – Ross Poldark, analysing it in terms of, for example, structure, the interweaving of plotlines, the balance between dialogue, narration and description, and the methods used to convey the period. In Turn of the Tide I didn’t set out to mimic Ross Poldark, but rather to apply the principles that I’d drawn from it.
So, in a sense, I’ve always though of Graham as a mentor. Which is why I was delighted when by chance I looked on Amazon one day and found Turn of the Tide sitting just below Demelza in the Amazon rankings. And thus began a wee contest with myself (some might say obsession!) – to try to collect screenshots with all of the Poldark novels.
And here they are – it took several weeks and countless quick forays into the Amazon lists, on both the UK site and the Australian one, but finally I got them all. They aren’t in the order I collected them, but in the order of the Poldark books.
I wanted to ‘capture’ the books in pairs, but in the case of Warleggan that wasn’t possible and I had to settle in the end for a group of four. (I’m sure someone really technical could have cut out a diagonal, or blanked out the others, but that isn’t me – sadly.)
And as you can see I haven’t mastered the art of equalising the size of images either, but hey – I have them all – and that (ridiculous as it may seem) gives me a wee frisson of pleasure. It was interesting to see the different covers that had been produced over the recent past, my favourites are definitely the ones with some kind of paper in the background and a central image. And the idea of a distinct branding for a series is one I shall remember. I’m not sure about the image of Ross in the bottom corner, though. (Sorry Aidan Turner!)
Some of the titles I could have ‘captured’ multiple times, others remained elusive. The final one – which happened to be The Miller’s Dance – was frustratingly tricky – for days, as it went up, Turn of the Tide went down, and vice versa and as the maximum distance between them allowing me to capture a screen shot was one row either way, there couldn’t be more than 4 places between them. However, I got it in the end and as you can see from the numbers, came very close to not getting it at all.
Each time I look at them it reminds of the way an individual story (or stories) take centre stage in the different books, but there remains a cohesion that runs through them all.Interesting, too, for me, to see how the series develops, particularly over the lengthy time span and the move from a focus on Ross and Demelza themselves, to their children. And as a result how it is Demelza who increasingly becomes the more important character in the marriage partnership, through her empathy and greater understanding of their struggles.
As an example of how to develop a saga it continues to impress me and I couldn’t help be encouraged when someone likened the Munro saga to a Scottish Poldark – that can’t be bad. Though whether I could sustain their story for 12 books I’m not sure. Time will tell…